Day 2 of ShipRocked 2026 proved exactly why a full day at sea is one of the most magical parts of the entire cruise. With nowhere to be but onboard, Monday unfolded as a nonstop mix of access, adrenaline, and emotional moments that reminded everyone why ShipRocked is unlike any other music festival on the planet.
The day kicked off with one of ShipRocked’s most beloved traditions: midday meet and greets. Fans lined up to meet KITTIE, Sleep Theory, and Motionless in White, snapping photos and sharing quick conversations with artists they’d normally only see from the barricade. The best part? All of those professional photos are later posted for free on the ShipRocked Facebook page, making the experience feel even more inclusive and fan-focused. It’s this kind of thoughtful detail that continues to set ShipRocked apart year after year.



Elsewhere on the ship, The Stowaways were already hard at work. Throughout the morning, the Limelight Lounge echoed with rehearsals as the all-star collective prepped for their massive Wednesday night performance. Watching musicians casually run through covers felt surreal — like stumbling into a private jam session at sea.
By early afternoon, all eyes turned to the deck stage for one of the most jaw-dropping performances of the cruise. House of Protection took over at 2 p.m. and immediately raised the bar. The duo — guitarist/vocalist Stephen Harrison and drummer/vocalist Aric Improta, both formerly of Fever 333 — delivered a set that felt less like a concert and more like a controlled explosion. Mid-set, they climbed the scaffolding and performed high above the deck stage, forcing the crowd below to collectively hold its breath. It was raw, fearless, and unforgettable — easily one of the standout moments of the entire week.

Later in the afternoon, fans packed into the restaurant for another meet and greet, this time with Avatar, The Stowaways and Starset. The contrast between the chaos of the deck stage and the calm, conversational energy of these moments is part of ShipRocked’s magic — one minute you’re in a pit, the next you’re chatting with the same artist over coffee.


The loyalty party later in late afternoon offered a more intimate vibe for guests who have attended ShipRocked for over a decade. The Funeral Portrait and Sleep Theory treated longtime fans to stripped-down acoustic performances, creating a rare, emotional pause in the chaos. Funeral Portrait’s renditions of “Dark Thoughts” and “Suffocate City” felt especially powerful in the quieter setting, proving that sometimes less volume delivers more impact.

As the sun dipped lower, Dead Poet Society kicked off the deck stage at 6 p.m. delighting die-hard fans with their songs like “I hope you hate me.”, “My Condition,” and closing out the set with “HURT.”

As the sun dipped lower, AWOLNATION took the stage and delivered one of Day 2’s biggest surprises. Some ShipRockers initially questioned whether the band would fit the heavier lineup, but those doubts disappeared almost instantly. By the time “SAIL” echoed across the open ocean, skeptics had become believers. Watching thousands of fans sing along to that iconic chorus in the middle of the sea was a reminder that ShipRocked thrives on unexpected moments — and many left calling for AWOLNATION to be invited back every single year.

That emotional thread continued in a major way inside the Liquid Lounge Theater with From Ashes to New. Frontman Matt Brandyberry addressed the crowd with heartbreaking honesty, referring to himself as an “older emo” before opening up about his past struggles with mental health and suicidal ideation. He spoke candidly about how fans saved his life during his darkest moments and shared how being in a better place now — with his family and children onboard.
His vulnerability echoed the emotional speech he previously gave at Louder Than Life, a moment that had already resonated deeply across the rock community. When the band launched into a massive singalong of “Hate Me Too,” it felt like a collective release. The set continued with “New Disease,” “Nightmare,” and a powerful closer with “Panic,” cementing the performance as one of the most meaningful of the cruise.


The night ended with ShipRocked history being made. Knocked Loose headlined the deck stage and pushed the energy into uncharted territory, inspiring the first-ever crowd surfing and moshing on the deck in festival history. Their crushing set included “Suffocate,” “Deep in the Willow,” and a punishing close with “Everything Is Quiet Now.” Vocalist Bryan Garris thanked the crowd and shared that the band’s drummer had been trying to get on this boat for ten years. Judging by the chaos below, the wait was more than worth it.



By the time the ship settled into the night, Day 2 had delivered spectacle, surprise, and soul — a perfect snapshot of ShipRocked at its absolute best. Stay tuned for our Day 3 coverage.

